Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

The story of a young single mother, Do Mi Sol, and her quest to make the world a warmer place to live in.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

A drama based on Jimi Hendrix's life as he left New York City for London, where his career took off.

After accidentally setting their principal's boat on fire, best friends Lex, Presley, & Munchy create an app to get jobs to pay off their debt. They'll do whatever it takes, no matter how embarrassing.

A woman turns to prescription medication as a way of handling her anxiety concerning her husband's upcoming release from prison.

Lauren is an overachieving teenage babysitter for the Allens, who leave her in charge of their adorable young children, while they head out for some much-needed alone time. Unbeknownst to them, Lauren, overworked and overstressed, is getting a little extra help from a new prescription medication. The meds come on strong, twisting Lauren's appearance and causing an icy change in her demeanor, but the powerful medication also helps her get all of her duties done in a quick and efficient manner. Everything seems normal until Mr. and Mrs. Allen return home to discover the horrifying result of Lauren's brutal efficiency. Side Effect is a blood-curdling tale of science gone wrong in a pill-popping culture where the cure is more deadly than the disease.